Uncanny Magazine 2024 Award Eligibility
It’s the time of year when people post their year-in-reviews to remind voters what they might have missed, and (especially for the Hugo Awards and Nebula Awards) in which categories those stories are eligible for the different SF/F awards. Last year was the tenth full year of Uncanny Magazine (Issue 56 through Issue 61). We are extremely proud of the year we had.
This year, Uncanny Magazine is still eligible for the Best Semiprozine Hugo Award. Lynne M. Thomas and Michael Damian Thomas are also still eligible for the Best Editor (Short Form) Hugo Award for editing issues 56–61. (Note: If you are nominating the Thomases in this category, please continue to nominate them together. They are a co-editing team.)
The stories listed below are eligible in either the short story, novelette, or novella categories of the SF/F awards. If you are a SFWA member nominating for the Nebula Awards, you can find eBook copies of these stories in the SFWA Forums.
Please also note that essays are eligible for the Best Related Work Hugo Award, and poetry is eligible for both the Rhysling Award and the Hugo Award this year. As Uncanny is a semiprozine, all of the essays and original art also contribute towards the creators’ Best Fan Writer and Best Fan Artist Hugo Award eligibility.
Novellas (17,500-39,999 Words):
“An Elegy of Soil” by Natalia Theodoridou
Novelettes (7500-17,499 Words):
“Redshift ||| Shiftred” by Parlei Rivière
“Loneliness Universe” by Eugenia Triantafyllou
“Signs of Life” by Sarah Pinsker
“Wonderland Is a Parking Lot in Revere” by John Chu
“Another Girl Under the Iron Bell” by Angela Liu
“¡Sangronas! Un Lista de Terror” by M. M. Olivas
“A Stranger Knocks” by Tananarive Due
Short Stories (Under 7500 Words):
“Do Houses Dream of Scraping the Sky?” by Jana Bianchi
“A Contract of Ink and Skin” by Angela Liu
“Marginalia” by Mary Robinette Kowal
“A Recipe for Hope and Honeycake” by Jordan Taylor
“La mandíbula del río” by Ana Hurtado
“The Feast of Baku & the Yume no Seirei” by Cheri Kamei
“Afflictions of the New Age” by Katherine Ewell
“The God, Descendant” by Amanda Helms
“Stitched to Skin like Family Is” by Nghi Vo
“The Best-Ever Cosplay of Whistle and Midnight” by Annalee Newitz
“A Magical Correspondence, to the Tune of Heartstrings” by Valerie Valdes
“Happily Ever After Comes Round” by Sarah Rees Brennan
“Three Faces of a Beheading” by Arkady Martine
“Five Answers to Questions You Probably Have” by John Wiswell
“Mirage in Double Vision” by Tia Tashiro
“Markets of the Otherworld” by Rati Mehrotra
“Hands Like Gold and Starlight” by K.S. Walker
“The Worms that Ate the Universe” by Megan Chee
“The Midnight Spa” by Sunwoo Jeong
“Across the Street” by Greg van Eekhout
“Zarghána” by Eleanna Castroianni
“Something Small Enough to Ask For” by AnaMaria Curtis
“Cursed Moon Queers” by Natalia Theodoridou
“The Wrong Time Travel Story” by Marissa Lingen
“The 6% Squeeze” by Eddie Robson
“A Menu of First Favorite Meals” by Jo Miles
“The Golden Tooth: A Solo Show by Orion Cabrera” by William Alexander
“A Book Is a Map, a Bed Is a Country” by Angel Leal
“Woodmask” by Adrian Tchaikovsky
“Twice Every Day Returning” by Sonya Taaffe
“On the Water Its Crystal Teeth” by Marissa Lingen
“Ancestor Heart” by Naomi Day
“The Geckomancer’s Lament” by Lauren Beukes