Uncanny Magazine Issue Sixty-Seven
Welcome to Uncanny Magazine Issue Sixty-Seven! All of the content will be available for purchase as an eBook (PDF, EPUB, MOBI) on November 4, 2025. The free online content will be released in two stages—half on November 4 and half on December 2.
Featuring all-new short fiction by Sarah Pinsker, Natalia Theodoridou, Ana Hurtado, Rati Mehrotra, Eleanna Castroianni, Mary Robinette Kowal, and Russell Nichols; essays by Javier Grillo-Marxuach, Mari Ness, Jordan Shiveley, and Marissa Lingen; poetry by Somto Ihezue, Romie Stott, Angel Leal, and Hannan Khan; interviews with Natalia Theodoridou and Eleanna Castroianni by Caroline M. Yoachim; and Paul Lewin’s Mushroom Mother of Us All as the cover.
All that plus two podcasts!
Episode 67A (November 4): Editor’s Introduction; “The Millay Illusion” by Sarah Pinsker, as read by Erika Ensign; “Call Us Boy.” by Somto Ihezue, as read by Matt Peters; and Michael Damian Thomas interviewing Sarah Pinsker.
Episode 67B (December 2): Editor’s Introduction; “The Teleporting Disaster Fairy” by Rati Mehrotra, as read by Matt Peters; “My Duende: in the Wall and in the Mirror” by Angel Leal, as read by Erika Ensign; and Michael Damian Thomas interviewing Rati Mehrotra.
About Our Cover Artist: Paul Lewin

I was born in Kingston, Jamaica in 1973. I moved to the US with my family in 1977 and spent most of my younger years growing up in Miami FL. In 2004 I moved to Oakland, CA. Art has been a part of my life from as far back as I can remember. My father was my first artistic influence. From a very young age I would assist him in various creative projects. My father was a great storyteller. I loved listening to his stories of the old country in Jamaica while we worked. He also taught me a lot about ancient societies, science, and history. My childhood home was filled with paintings, sculptures, and artifacts of many different cultures from around the world. These works, along with my love of sci-fi and fantasy art, inspired a lot of my early creativity. Eventually I began creating my own stories. Pencil and paper were my medium of choice in those days. I was also into graffiti during my early years but I wasn’t very good at it. It did teach me about having flow and movement in my work. That would lead me into my next phase in 1994 when I picked up a paint brush for the first time and began painting.
Today my art is inspired by Afro Caribbean/African folklore, nature, and sci-fi. I’m primarily focused on storytelling; a tradition that has been passed down from generation to generation, dating back to ancient Africa. My intent is to create alternate worlds, with various elements of African and Afro Caribbean culture. The subjects in my work represent the ancestors. Ancient ancestors, futuristic ancestors, interdimensional ancestors, and all the other beings that inhabit the spirit world. My creative process involves meditating on these concepts and allowing space for whatever comes up. I’ve always loved the theory of the artist as a conduit, transcribing visions onto a canvas. Or photographing dreams. I try to let each piece evolve on its own and not interfere too much. I’m not always sure of the meaning behind each painting, but I’m also not too concerned about that either. I’m more into the actual process of creating. I love getting lost in the details and watching an image come together from start to finish. One of my favorite memories as a kid was running home after school every day to lock myself in my room for hours just drawing and creating. Not much has changed.
