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Imagining Place: Self-Quarantine Edition

I moved to Seattle, WA on February 9th of 2020. Within 3 weeks the COVID-19 virus had struck the hometown to which I had repatriated. The whole point of moving home had been to stop isolating myself, to move from the suburbs of NJ where I was living in a sort of social quarantine, to a place where I had friends and community that would support me.

Well, it was a nice idea while I had it.

The world started to shrink. First Amazon sent all their employees home, then the synagogue down the street went to virtual services, as did many other synagogues in the area (I have no idea about the churches, it’s not my scene). I watched as the bastion of social hope that I had come to slowly receded away, as the place that I had hoped would be a refuge became a small and isolating prison.

When the world grows small, what can we do? What should we do?

I’ve lived through an apocalypse before, lived through the horrors of the AIDS crisis and learned from it. I wandered out of my childhood through the valley of the shadow of death.

I am not unaccustomed to isolation. I have watched my father dying by degrees through hospital windows, worn plastic gloves and paper masks.

The smell of ammonia still haunts my nightmares (to this day, using hand sanitizer makes me feel like a small child, powerless in the face of an illness I cannot control.)

So let me tell you how to survive when the world grows small, when diseases fly ’round like bullets, when your fear of a cough is the difference between life and death for a loved one.

Read books.

When we cannot escape the confines of our homes, either because of fear of infection, or because of fear of infecting others, we need to find ways to escape for ourselves. We need to find solace.

For me, for my father, for many, the words of fiction are often the way to freedom. A way out of the doldrums (but be careful when you drive through them), a way into space.

Escape through story is one of the most magical methods of surviving an apocalypse that I know of.

I thought I might make a few suggestions, though. See, it’s not just that you need to escape, but you need to escape the right way. Don’t go looking for your copy of Station Eleven or The Doomsday Book. Don’t go digging out a copy of RENT to sing along to.

Find yourself in the comforts of To Say Nothing Of the Dog, or perhaps in the middle of a Wodehouse book. Give yourself permission to revel in laughter and joy, to tell stories with your friends and families that bring light from the darkness.

Sometimes, the place that you need to be isn’t where you are. Sometimes you need to envision a world that can be better, that can be different.

Sometimes the best cure for fear is to escape into another realm.

Athena Holds Up a Mirror to Strength

Girl, you best stop setting yourself on fire,

you may be the phoenix,

but these bones aren’t kindling

to keep others warm—

your spine isn’t a bridge

you need to burn,

and you aren’t a consequence,

Empress:

remember who you are.

 

Woman, you a hundred rivers,

each one gathering itself

carefully, unhurried,

unhampered, considerate

of its own current

and nothing beyond that—

this is your magic,

steady and certain,

heart open

but hands full of knives,

Queen of Wands:

remind them who you are.

 

Goddess, you are both roots

and sky, a gentle hymn

of wolves, keen and hungry,

but a universe of free. Your chest

holds a constellation

of reasonable lives

rearranged by passion,

and this holy crusade

has made you a heretic,

but your blood sings for it,

this legion of flaws, mouth reddened

by your own sins—

High Priestess,

tell them who you’ve been.

 

(Editors’ Note: “Athena Holds Up a Mirror to Strength” is read by Erika Ensign on the Uncanny Magazine Podcast, Episode 34A.)

 

Through the Veil

I don’t know when the beige began. It was just there one day: a lingering malaise that hovered over everything. It was on my food, my clothes, on my breath, a nothingness, a sheen of banality, a taste of bland. What’s more I didn’t understand why it bothered me. My life’s work pretty much demanded sameness. The day-and-night observation of the meters and lights of my portable particle accelerator required a constant, kind of meditative, never-ending concentration. Yet the beige and the sameness also filled me with a profound sense of unease. Like things were happening elsewhere that I could neither see nor experience. But still, in my mind it was better to maintain the beige than to venture beyond its borders.

After years and years of patience, the high-energy subatomic particles I had theorized manifested themselves within the confines of my particle accelerator. For the first time a heretofore unseen dimensional “wall” became visible. I wrote a paper on this that was well received by some. The next step, of course, was to find a way to pass through this “wall.” I believed then as I do now that I could find a way to breach through into that other dimension.

In the meeting where I should have been paying attention, I had instead drifted off to focus on the tree outside the window. The leaves became more interesting to me than the speaker and I counted them one by one by one…someone asked what I thought. I had no idea. So I shrugged okay to the last thing said which I hadn’t heard because I hadn’t been listening, and the meeting ended with me not feeling at all threatened by its outcome. Then the memo arrived. My project would be shut down as of the end of the week. All my equipment was to be dismantled and readied for shipment into indefinite storage. I had to read the message several times before I truly comprehended its meaning. My life’s work had been ended by the single command of some executive somewhere.

I should have never agreed to sign away the rights to my own work. At the time it seemed like a reasonable tradeoff to have access to the institute’s facilities. Everyone could have benefited from the commercial uses that resulted from my work. All I needed was some time and support. Instead I had to debase myself into a common thief. Of course, I felt guilt over my actions. I knew it wasn’t right to steal the institute’s property, even if it wouldn’t’ve existed if it wasn’t for me and my designs! But it was my intellectual property that they were about to lock away! (If indeed that was truly what they were going to do. My gut told me they actually intended only to lock me out and use my ideas for their own benefit.)

I actually have no idea why they chose to shut down my project. I simply could not believe that the institution did not understand the importance of this work. I simply could not believe that they did not understand the importance of me! Obviously, they didn’t. And it occurred to me that I didn’t need to wait for “their” understanding, and I decided to conduct my work on my own. All I needed was the portable particle accelerator that I had designed and built, somewhere to work, and time alone.

I stayed behind late one night—no one would think this strange since I often did this—and waited for the last people to leave the building, which would be the cleaning crew. With my office well dusted and my trash cans emptied, I began the meticulous work of packing the experimental equipment into my duffel bag. My white papers and notes had already been backed up onto the storage chip surgically inserted into my left frontal lobe. I deleted everything else.

 

I managed to hide my travels behind a series of fake identities and to land in this deserted place in the dead of night, unnoticed. I doubt there was anyone here to notice my arrival anyway. This area has remained little occupied because of its dry, chilly desert-like landscape, which made it perfect for my little private facility. I devoted my first nights in this inhospitable place to installing the prefabricated housing unit that I had spent the last of my savings purchasing. As I worked to connect the frame of my unit and lay down the floors and the structure of it formed, thoughts of the possibilities of crossing into a new dimension filled me with an excitement that I hadn’t felt in a long time. It must’ve been the illicit nature of my endeavors—there I was, a fugitive all alone on the edge of nowhere about to cross a border into the unknown. It made me feel kind of powerful and alive.

The dwelling I put together was nothing fancy, but adequate for me with its soundless, sun-powered generator providing all my energy needs. I decorated its dreary walls with pictures of pretty beach scenes. I didn’t care about my surroundings that much before. It suddenly felt important. This would be my home for the next long while, and beige walls somehow just wouldn’t do anymore.

I’d fallen asleep beside the machine before at the institute. Yet here, alone when I fell asleep with the machine, my dream felt deeper. In it, I was somewhere surrounded by smoke, and ash descended like snow, covering my hair and skin, and stung as it flew into my eyes and choked my breath. I coughed and struggled for air.

Far away in the distance, but not far enough, a volcano erupted. I found myself running to a mountain while behind me rivers of molten rock flowed, golden and glowing with heat. A red door appeared at the base of the mountain. It was wide and heavy and ornately decorated with swirls and letters I couldn’t read. I pulled on it with all my might until my lower back ached from the strain. Fear of the approaching lava gave me strength. When the door finally gave way, I slipped through, grateful to have found some protection. The heavy door slammed shut behind me and then there was a hush. Steam from volcanic vents permeating the stench of sulfur filled my nose and throat making me retch. I covered my face with my sleeve, but it didn’t help. I waited for some of the pain in my back to subside before I stood to search for footholds along the walls so that I could climb up and away from the ground. I woke up from my dream extremely tired, with my heart pounding.

While jotting down my notes on the status of my machine, it occurred to me that what I had experienced maybe wasn’t a dream but instead might very well be my first—the first—brush with passing through the dimensional divide. Maybe to “cross over” required one to be in a deeply relaxed state. I was asleep during this experience, after all. So maybe while asleep the work of crossing the dimensional wall manifested itself as a dream of an obstacle I needed to overcome. I thought on this long and hard as a burning itch appeared on the top of my head. I scratched and a dred let loose and fell out.

I made sure to purposefully sleep next to the machine the next night, and moved my bedding before it so that the particles of the machine would be directed towards me as I lay down. Every bit of me tingled with the prospect of crossing the veil. I was too anxious to rest for a long time. Hour upon hour passed and I couldn’t sleep. I pleasured myself to relax. Afterwards my mind and body calmed—I wasn’t exactly asleep but very calm—so that I found myself on the other side of the dimensional veil, exactly at the spot where I had left.

Rocks of various sizes, shapes, and shades of crimson were scattered about. I picked one up the size of my fist and examined it. Its surface flaked and crumbled in my hand, leaving a vermillion dust on my fingers and palm. With the red door beneath me, and the illumination from an opening at the top of the mountain, I thought, if I could reach the light above maybe there was more to see, maybe the entire landscape, maybe the whole roundness of this world!

I stretched until the knot in the muscle in my lower back released with a pop and a creak, then I began my ascent by unsteadily climbing over the red rocks that formed a ledge. A few of them gave way under my weight, making it a tricky business to figure out where to position my steps without slipping. A cool wind moved across my face, carrying with it the scent of something sweet.

I groped for a long time through an opening in the rock face. After a while I found myself in the dim light of a cavern filled with fragrant orange blossoms. A spring of fresh water gently trickled down nearby from a the hole in a wall of stone. Fruits grew wild in a strange tangle of trees and bushes—mangos and oranges and persimmons and nectarines and peaches. I washed my hands and face in the clear water, cupping my palms to take a long refreshing drink. I plucked a piece of fruit from a tree and bit through its bitter skin and into its succulent flesh. Juice oozed over my lips and hands as tangy flavors filled my mouth and rinsed over my tongue. Thin fruit fibers wedged between my teeth and I used my fingernail to pull them loose then swallowed them. A hunger I hadn’t realized felt sated.

There they were on the ground. Three of them. I’d lost a single dred before. Every few years one could be found on my pillow or in the bathroom after I styled my hair, but never three at one time. My scalp had been itching a lot lately. I’d be thinking about something, a tingling sensation would appear at the center of my scalp, unthinkingly I’d scratch, and a loc would land limp in my palm. I moisturized my scalp more, and added aloe vera to my nightly hair routine. I also tried to remember to massage and not scratch at my itches. I even set my food preparer to increase my vitamin B12 intake. The loss of a few dreds wasn’t important. It was the project that was important. Still, the burning itch continued to linger on my scalp. No-never-mind, I thought, and returned to a sitting position near my machine.

Entry to the other dimension must be akin to the excitation of an atom because again I found myself in the exact position where I had left. As I climbed the levels of the “dream” I must have increased the excitation level of my body and then carried that excitation level within me as I came and went, so that each time I returned I would be no further than I was before. Behind me, orange blossoms and before me, I stared mesmerized at a dense field of daffodils. I fell in awe of all the loveliness. So much yellow. Deep within a mountain, as chaos reigned outside, lay this paradise. And above from a great opening, a light shone down. In spite of myself, I laughed at my sheer luck. I, and no one else, had stumbled into the midst of such beauty. I laughed long and loud and the sound of my laughter reverberated across the emptiness. After I caught my breath and wiped my eyes, I continued my journey upwards. I also continued to search for signs of other intelligent life, and wondered if I truly was the first person to behold this world.

 

An itch crawled from the back of my head then spread to the center of my scalp to become a burning sensation. I tried to remember to gently rub instead of scratch even as the itching felt like it would drive me mad. The back of my head seemed extra warm to the touch, and where there used to be a thick undergrowth of hair, I touched skin. I stopped rubbing and took away my hand to see a multitude of tight curls clinging to my fingers. I ran to the bathroom.

 

Tiny curls on porcelain white
black cotton ball puffs
land in the palm
collect in the drain

 

Black cotton ball puffs
taunting c’s and o’s
collect in the drain
announcing hairs departure

 

Taunting c’s and o’s
fall into the sink
announcing hairs departure
cutting off

 

Fall into the sink
so much hair
cutting off
tiny curls on porcelain white

 

I rinsed my hair with black tea, and still my hair continued to shed. Only aloe seemed to soothe it. I conditioned my hair and scalp with a mixture black caster oil, avocado oil, coconut oil, tea tree oil, and aloe, yet the itchiness on my scalp remained.

What had been a distraction became an emergency. I found locs on my chair after I stood up. I found them on the ground. I sent the mini-cam drone reserved for surveilling the surrounding grounds for intruders to picture the back of my head. Unmistakably three (or four?) bald patches had grown there and about half of my dreds had fallen out. In my closet I hid bags of my hair in hopes that when it grew back and I had starter dreds, I could reattach those “lost” locs to them. If it grew back. My hair must grow back…I couldn’t fathom…I wouldn’t accept…maybe losing my hair was some kind of punishment…

 

On the other side of the veil, I found myself on a crumbling trail covered with moss. Ferns and lush trees with leaves hanging low interrupted my way. A mist sprayed on my skin, cool and wet. As I journeyed through this strange land, I noticed that my feelings here were so strikingly different than feelings there. Here, I felt at ease, my mind was clear and at peace. There—in reality, or home—I was a bundle of nerves. Or, at least I remember myself feeling that way, almost like a distant echo. And I hadn’t experienced the beige in a long time. It seemed to be dissolving as if being on this other side was changing me both here and there.

I can see clearly that others have been to this dimension, otherwise this path wouldn’t exist. But whoever they were hadn’t been here in a long time. I wonder who they were, where they came from, and how they came to this place. I continued to follow their path until I found the remnants of a temple made of aging stone and green with mildew. Railings entwined with ivy surrounded a platform. Inside sat a broken statue. The head and most of the shoulders of the being were missing, yet the legs and feet remained. I touched the delicately carved flowing cloth and the swell and curve of its rounded belly. The rough texture of its surface, pitted over time by exposure, felt hard and cold against my fingertips. I rested for a while there. When I decided that it was time to continue my journey I suddenly felt deep pity for the ones who built this peaceful site, only to have it forgotten and fall to ruin.

I continued my upwards climb to find pillars built of veined marble and stairs that led up and up and up. Shades of blue radiance glimmered in streaks and streams guiding my way—a blue so deep, so pure, it wrapped and flowed over my body. Sounds muffled in waves of slow ebbing tides and in far-away reverberations of pops and squeaks. The movement of my feet, every rustle of cloth and intake of breath, resounded. These rhythms gave me the urge to sing…Somewhere over the rainbow skies are blue…and my voice repeated back, repeated back, repeated back blue, blue, blue…

 

My return to the “real” world filled me with memories in saturated color washes that ran, forming inky puddles at the bottom of my mind. An image of a copy of a copy of a copy faded with each recollection. If I could I would tell you correctly, I could tell you the exact…moments were forgotten like wisps of smoke. Not forgotten, held in the ethereal then into the corporeal then returned to the ether without volume or shape.

An electrical impulse carried thoughts through my brain that flowed to find a soft place to remain dormant and glowing. My time on the other side kept alive in masses of cells. But I remembered…I remembered all I’d been trying to forget. I remembered all the shame that made me drown myself in my work and turn off my feelings. All my sense of inadequacy. All my sense of not belonging, or not being good enough, or not being understood, or being treated like I was either crazy or strange or both. My experiences trapped in neurons. Memories, decisions that formed logic patterns of yeses and noes, wishes and regrets that drip saline across my cheeks.

The “real” world is slipping away from me. It feels like I should let it go. Yet, there is still so much that I must do, so much more still for me to understand. Besides, they will be here soon—the authorities from the institution, I can feel them coming. Though, when they arrive they will find that the one they had been searching for has gone.

 

I climb a spiraling staircase embedded within the rock, guided by an indigo incandescence. I reach a platform that overlooks a chasm. The hair on my arms rise. My skin turns to gooseflesh. This place is new, and yet familiar. Without conscious reasoning I know that I have been here before. This air. These walls. This stone. I know them. Ahead, I see the light. It calls to me in whispers. I move towards it with a sense of apprehension, and also the feeling that I must go there. But first, I must return to my world one last time…

 

I shaved off what remained of my hair. This would have distressed me before. Then it seemed quite appropriate. What was hair to me now that I have begun this part of my journey? The beige, my nothingness, my absence of color was all about me not wanting to feel, wanting to be numb. I had created a life that demanded sameness. The day-and-night observation of the meters and lights of my machine pretty much required a constant, kind of meditative, never-ending concentration. Yet that sameness also filled me with a profound sense of unease. I don’t know when the light began to make sense. One day it just did, like a shimmer that hovered over everything. It was on my food, my clothes, on my breath, a fullness, a sheen of luster, a taste of delight. What’s more, I don’t understand why the lack of light never bothered me before.

It was wrong of me to take the institution’s equipment without permission. Even though I had designed it, I shouldn’t have taken the property, and for that I am truly sorry. As for your wrongs towards me, I haven’t forgiven you, but I do leave you and your corruption behind. Only if you follow the path that I have followed will you understand what I mean. There are no steps around this. No method to go where I have gone without the journey I have taken. I hope someday you will want to learn. Additionally, I leave behind the machine and my memory chip. Everything is here for you—I am also leaving behind this story. If you’re reading this, then you have found them.

By the time you read these words I will be across the veil and at the top of the mountain. There I will perceive not with eyes, and yet will see clearer than I’ve ever seen. There, what had seemed so important here will drift away to triviality. I will be beyond understanding, beyond vision, beyond thought. My flesh and bones and blood are nothing. My existence is greater than these things because none of it is real. The barrier between here and there is an illusion. And I know that this is not the end of my journey. So I will climb and climb and climb into the blinding white light, and ascend higher…

The Uncanny Valley

This…fucking…year.

As we write this, the Thomas family should be in celebratory mode. Caitlin has been out of the hospital for three months and has remained healthy so far. We just purchased a new home in Champaign—a dream house that is super accessible for Caitlin, which, by the time you read this, we will have moved into. Uncanny Magazine continues to be honored in different ways.

It is hard to take much joy from any of this, though. Not while people are dying. Not when people are losing their jobs. Not when a corrupt regime mismanages the crisis in every possible way.

These are terrifying times. The COVID-19 pandemic is devastating the world. Many of you are isolated at home. Others of you are out on the front lines providing care and supplies to the world. So many of us are ill or vulnerable or suddenly in horrible situations.

Uncanny Magazine remains here for you. We will continue to provide art and beauty throughout the rest of 2020. We are able to do this because of your generosity: it means we can continue to pay our writers, artists, and staff through the rest of 2020.

As scary as these times are, the Space Unicorn Ranger Corps will remain strong. We will battle through this together. We will continue to value kindness above all things. As a community, we will always fight the darkness.

So, let’s talk about some things worth celebrating; they are especially important in dark times.

PHENOMENAL news, Space Unicorns! Three Uncanny  Magazine stories are finalists for the prestigious Hugo Award! “The Blur in the Corner of Your Eye” by Sarah Pinsker is a finalist for Best Novelette, “Away With the Wolves” by Sarah Gailey (from the Disabled People Destroy Fantasy special issue) is a finalist for Best Novelette, and “A Catalog of Storms” by Fran Wilde is a finalist for Best Short Story! Congratulations to everybody!

Even more wonderful news! Uncanny Magazine (Publishers/Editors-in-Chief Lynne M. Thomas and Michael Damian Thomas, Managing/Nonfiction Editor Michi Trota, Managing Editor Chimedum Ohaegbu, and Podcast Producers Erika Ensign and Steven Schapansky) is once again a finalist for Best Semiprozine!

Another fantastic thing! Lynne M. Thomas and Michael Damian Thomas are also once again finalists for the Best Editor, Short Form Hugo Award!

Finally, two members of our current staff are finalists for different Hugo Awards! Nonfiction Editor Elsa Sjunneson is a finalist as former Managing Editor of Fireside Magazine in Best Semiprozine! And Uncanny Magazine Interviewer Caroline M. Yoachim’s “The Archronology of Love” from Lightspeed Magazine is a finalist for Best Novelette!

It is an amazing list of Hugo Award finalists, many of whom are Uncanny authors and friends. CONGRATULATIONS TO EVERYBODY!!! Thank you to everyone who nominated these works, and to the hard-working CoNZealand staff. We are honored, ecstatic, and overwhelmed.

As you may remember, four Uncanny Magazine stories are finalists for the prestigious Nebula Award from the Science Fiction and Fantasy Writers of America! “The Blur in the Corner of Your Eye” by Sarah Pinsker is a finalist for Best Novelette, “The Dead, In Their Uncontrollable Power” by Karen Osborne is a finalist for Best Short Story, “How the Trick Is Done” by A.C. Wise is a finalist for Best Short Story, and finally “A Catalog of Storms” by Fran Wilde is a finalist for Best Short Story!

Michael and the Uncanny Penguin were planning to attend, but like all conferences, there will no longer be an in-person Nebula Conference. Like many other conferences, though, the SFWA Nebula Conference will now be VIRTUAL! Visit this website for more details!

And now the contents of Uncanny Magazine Issue 34! The spectacular cover is Taking Flight by Julie Dillon. Our new fiction includes Arkady Martine’s intense exploration of the costs of a city and community “A Being Together Amongst Strangers,” Jennifer Marie Brissett’s evocative tale of science and escape “Through the Veil,” Emma Törzs’s layered story of transformation, betrayal, and friendship “High in the Clean Blue Air,” A. T. Greenblatt’s delightful recounting of a superhero’s origins “Burn or The Episodic Life of Sam Wells as a Super,” Meg Elison’s emotional and touching tale of wedding dresses and drag “Dresses Like White Elephants,” and Suzanne Walker’s lyrical story of discovery “We Chased the Sirens.” Our reprint is Sonya Taaffe’s “Where the Sky Is Silver and the Earth Is Brass,” originally published in Machinations and Mesmerism: Tales Inspired by E.T.A. Hoffmann (Ulthar Press, July 2019).

Our provocative and compelling essays this month include “It Is Not That The Spoon Must Bend, or: Cypher’s Steak and Our Online Lives” by Fran Wilde, “Cons, Crud, and Coronavirus” by Kelly Lagor, “Prayer Room Science Fiction” by Khairani Barokka, and “Censorship and Genre Fiction—Broaden our Broader Reality” by Ada Palmer. This month also includes a new editorial column by Nonfiction Editor Elsa Sjunneson called “Imagining Place: Self-Quarantine Edition.”

Our gorgeous and evocative poetry includes “Assimilation” by Valerie Valdes, “Athena Holds Up a Mirror to Strength” by Ali Trotta, “deep sleep” by Roshani Chokshi, and “ask them who is doing the haunting (a vietnamese american underwater fairytale)” by T.K. Lê. Finally, Caroline M. Yoachim interviews Emma Törzs and Meg Elison about their stories.

The Uncanny Magazine Podcast episode 34A features “A Being Together Amongst Strangers” by Arkady Martine, as read by Joy Piedmont, “Athena Holds Up a Mirror to Strength” by Ali Trotta, as read by Erika Ensign, and Lynne M. Thomas interviewing Arkady Martine. The Uncanny Magazine Podcast episode 34B features “Burn or The Episodic Life of Sam Wells as a Super” by A. T. Greenblatt, as read by Erika Ensign, “deep sleep” by Roshani Chokshi, as read by Joy Piedmont, and Lynne M. Thomas interviewing A. T. Greenblatt.

As always, we are deeply grateful for your support of Uncanny Magazine.

Shine on and be safe, Space Unicorns.

Thank You, Patreon Supporters!

Uncanny Magazine would like to thank the following people for supporting us on Patreon. This magazine would not be possible without their support.

 

Space Unicorn Ranger Corps COMMANDERS

Kevin Lyda, Lila Libby, Jeff Guthridge, Elizabeth Galliher, Mairin Holmes, Girish M Duvvuri, Alex E. T. Snyder, Rachel Caine, justin livernois, William T. McGeachin, Alex Eiser, Alexander M Henderson, Scott Day, Kate O’Connor, Crystal Huff, Daniel Sales, Marzie Kaifer, Edmund Schweppe, Jayme Lundeen, Bliss Ehrlich

Space Unicorn Ranger Corps LIEUTENANTS

Brandi Blackburn,  Phil Margolies, Gareth Morgan, Elizabeth Koprucki, heather payne, Adrian Lee, Lorelei Kelly, Kristopher Jones, Didi Chanoch, Sarah Liberman, Shana DuBois, Haley Cowans, Jeff Xilon, Anna Evans, Ace T, Elizabeth Grey, Derek Smith, Margaret Oliver, Clarissa C. S. Ryan, Nancy Palmer, Elan Samuel, Sid J, Sarah Berriman, Rosier Cade, debprah hill, Josef D Prall, Sam Gawith, Kirby Li, Declan Meenagh, Ken Austin, Melissa Stahr, Christi Clogston, Ling-Yi Kung, Jenn Northington, Brandon Buehring, David Dagg-Murry, Raphaelle Race, Emma Osborne, John Chu, Max Gartman, Matt Boothman, George Hetrick, Jen melchert, Todd Honeycutt, Paul Weimer, Tom Marks, R. Mark Jones, michael smith, Brad Bulger, Aaron Roberts, Kaylan McCanna, Elena Gaillard, Cait Greer, Adam Leff, Emily Capettini, John M Gamble, M. D., Devin and Stephanie Ganger, Rebecca,  Maria Morae, Katherine Wagner, Jennifer Talley, Ian Radford,  Brian McNatt, Adam Israel, David Fiander, Deborah Levinson, Michael Lee

Space Unicorn Ranger Corps ENSIGNS

Alina Kanaski, Daniel Thackeray, Brad Preslar, Stephen Ryner Jr., Julia Struthers-Jobin, Sarah Beardsley, Aditya Dubey, Kari Keeling, Taylor Alcantar, Goetz Kruppa, Jared Kelsey,  Bonnie Eisenman, Amit Gupta, Agnes Kamasi, Antoine Hinge, Peter Schmitt (Aragos), Douglas F. Dluzen, Damien Muir, mary brockson, Chawin Narkruksa, Tuomas Pohto, Emily Goldman, David Demers, Beth Hoffman, C Coe, Matthew Bennardo, Ethan Harris, Fiona Parker, Tiffany Marcheterre, Alison Gilder, Cory Salveson, Markus Regius, Natalie Boon, Luke Rooney, Caroline Pinder,  Vicente JM, Ben Hammerslag, Gina Chen, Tina Skupin, Eris Young, Andres Guevara, Chessa Grasso Hickox, Nadja Deininger, Laura Saba, John Derrick, Alice Gauntley, Gene Breshears, Charlie Lindahl, Lauren Strenger, Carol Lovell, Beth McMillan, Samantha Manaktola, Ms Sarah Jansen, Emily Kvalheim, [email protected], Linda Reynolds-Burkins, Leanne Daniele, Sadie Slater, Andrew Hickey, Tim Campbell, Michael Jeffries, Emma Whitney, Tamara Rutledge, Melissa Brinks, Nick Mazzuca, Maria Haskins, Craig,  Sarah Elkins, Victor Eijkhout, Melissa Martensen, Jose Pablo Iriarte, Selim Ulug, Jacqueline Rogoff, Risa Wolf, Amanda Cook, Ellen Zemlin, David O Mahony, Kayleigh Bohemier, John Cetrone, Rachel Coleman, Cindy Murrell, Rebecca Evans, Paul Weymouth, Albert Bowes, Lauren Vega, Sidsel Norgaard Pedersen, Leslie Ordal, Ysabet MacFarlane, Erik DeBill, Michael Dodson, Emily A Finke, Laura Kinnaman,  Jeffrey Chapman, Ondrej Urban, John Klima, Emily Hogan, Renae Ensign, Carlos Hernandez

Space Unicorn Ranger Corps RECRUITS

Robin Hill, David Versace, Joan Combs Durso, Anitra Heiberg Lykke, Andrew S. Fuller, Aleksi Stenberg, Damien Neil, Not_the_brain,  Kayti Burt, james qualters, Ai Lake, Gillian Daniels, Melissa Shumake, Maria Schrater, Erin Bright, Dread Singles, CathiBeaStevenson,  Ken Schneyer, Leetmeister,  Max Andrew Dubinsky, S P, Amanda J. McGee, Liz Argall, Ryan Pennington, Neil Ottenstein, Penny Richards, Elizabeth King, Josh Smift, Jay Lofstead, Annaliese Lemmon, fadeaccompli,  Brooks Moses, Andrew and Kate Barton

Imagining Place: New York, New York. It’s A Hell of a Town

Hi, you.

We started this relationship on the day I was born. I was given the birthright of your skyscrapers, your bridges, your busy streets and your sleepless nights.

We left you behind when I was very small, but the pull of the City that Never Sleeps just kept dragging me back, until I was 23 and came here to study.

I stayed for ten years.

But we’re done now. I have to be. I could blame it on the transit system, on the overwhelming nature of the city, on the isolation of New Jersey. I could blame it on any one thing, but the truth is, it’s everything.

You’re an inhospitable, genre-eating monster that I want to visit from time to time, but not something I want to live with for another decade.

Yet I also love New York City for what she is. When I call her a genre-eating monster, I’m not joking.

New York City is a genre all to herself.

Mythical and yet also searingly real. I think that New York often blurs the line of reality. Sometimes she feels like a monster, with the ways that puffs of smoke rise out of manhole covers, and the way it feels when you walk down a cobblestoned street or a narrow alley on a rainy night. You can walk through real film sets on your stroll home from work, and if you sign the right forms, your commute is suddenly a part of a Marvel film.

Or it can happen the other way around—the tragedy of my childhood was the AIDS crisis washing over my community like a curse. You can watch what happened if you turn on Rent or HBO’s The Normal Heart.

See? New York is so imbued in our fictions that it’s hard to sort out what’s real and what isn’t.

New York is a city of contradictions, living and breathing in its own tropes. The Ghostbusters firehouse is right there—you can visit it. Kisses have been had on the bridges in Central Park—both fictional and real. Brooklyn Bridge has been the site of breakups and proposals.

It’s why I’ve stayed with you so long, after all. One day I can feel like a heroine in an urban fantasy novel, the next I’m stalking the streets of the LES like a noir detective.

I think it is this liminal space—where New York is the fiction that is written about it, and the fiction that is written about New York is so palpable—that makes New York both so delightful and so terrifying.

Everything you’ve ever heard about New York City is true, and that’s why I want to leave. Everything you’ve ever heard about New York City is also a lie.

We consume New York as a genre—but in exchange she consumes our energy.

This relationship is sucking the marrow from my bones.

Because there is one thing that is true about New York. No matter how kind people are, no matter how fucking good the food is, no matter how great the theater scene—this city will eat you alive. It will spit you out, and then stomp your bones to gruel to feed to its little borough babies so they grow strong and tough and mean.

New York City will attack your senses, an assault of noise and emotion. As a deafblind woman I’ve learned when to turn my hearing aids off when walking through certain parts of the city, to dull the overwhelming scream of jackhammers and honking horns. The voice of the city is too much.

As a woman I’ve had to learn to live with the close quarters of men who decide my personal space is not something to respect, and I’ve grown weary of the constant prickle at the back of my neck, the hypervigilant sensation that I need to watch my own back because the city won’t do it for me.

As a disabled person with a guide dog I’ve had to navigate the inaccessibility of the city so many times that I build extra half hours into my adventures. Will I need to navigate the subway an extra three stops because there’s an exit we can’t navigate?

How many people will stop me to pet my dog?

How many times will I be turned out of a bar because, despite the law, he’s not welcome?

At a certain point, the liminality of New York, the shiny brightness of the genre that has been written for her—it wears off. The excitement turns to drudgery for some of us. The energy of the city—an endless whirl of things to do, people to see, places to visit, new food to eat—becomes not a joy to behold, but instead the stalking grim haunt of FOMO. How much energy will you expend to do the things you love in a city that hates you?

So that’s why we have to break up. Because New York, you don’t really love me anymore. You may have once, you may have sustained me, fed me, brought me joy…but instead I see you as something I’m required to participate in, something that drains the joy from my soul.

New York City may be a beloved place in my heart, but it does not love me back.

This relationship isn’t working for me anymore.

Because you could be better. You could decide that revamping the NYC metro system was worth it. You could decide that cracking down on guide dog refusals was important. You could decide that New York being a city for disabled people was something you wanted.

But you won’t. I know you won’t. And so I have to get away before you swallow me whole, before the marrow in my bones gets sucked down into the subways and my blood runs through the electrical wires. Before my joy is all but extinguished by the endless whirl of New York’s energy.

The tropes are true. The tropes are false. The fiction that lives and breathes in the bones of the City of New York is beautiful and terrifying.

And I wouldn’t want it any other way.

One Year Older

There are a few things I’ve come to expect from Star Trek: adventures on far-away worlds; sleek high-tech gadgets; a belief in the power of diplomacy, empathy, and teamwork over fear, hatred, and a lot of really big guns; a diverse cast of characters who are more family than mere crewmates. And the fact that for as long as I can remember, no matter how hard my tatay tried to convince me otherwise, I hated Captain James Tiberius Kirk.

Original Series Kirk was an impulsive, macho, showboating playboy who, as far as I could tell, was only alive because he kept bringing poor, hapless, red-shirted crew members on every ill-advised away team to be eaten/shot/vaporized in his place, and he always had Bones and Spock to pull his ass out of the fire (which he probably started). He broke rules when it suited him, was often more concerned about adventure than responsibility, and seemed to think an overabundance of charm and bravado would be enough to get him and his crew out of any mess they found themselves in.

In short, Kirk was everything my mom tried to teach me not to be when I grew up (unlike my tatay, my mom was not a fan of Kirk either). And not disappointing my mom, living up to her expectations, was all I wanted to do as a kid. After she died, trying to live a life that would make her proud became the roadmap I followed into adulthood. It wasn’t an exact map—I could only sketch out paths based on my memories and the bits and pieces of her life I managed to learn from my family, but I could make do.

The thing about maps, though, is that you eventually reach the edge. And beyond: here there be dragons.

Except instead of finding dragons, I found the rebooted Star Trek universe, and in Star Trek: Beyond, a James T. Kirk whose brash confidence was rooted in something far more intimate and vulnerable than simple lust for manly adventures. Instead of being an example of who I did not want to become, I found an unexpected kindred spirit in this version of Kirk, both of us facing unmapped futures and wondering just what it was that we’d been chasing through the vastness of the unknown.

 

“One year older.”

“That’s usually how it works.”

“One year older than he got to be. He joined Starfleet because he believed in it. I joined on a dare.”

“You joined to see if you could live up to him. You spent all this time trying to be George Kirk, now you’re just wondering what it means to be Jim, why you’re out here.”

—Kirk & Bones, Star Trek: Beyond

 

After Star Trek: Beyond opens with Kirk’s escape from a diplomatic mission gone awry, Bones meets him alone to share a toast for Kirk’s birthday. Kirk is understandably not in a celebratory mood—after all, the day he was born was the day his father died, heroically saving Kirk, his mother, and what was left of his ship’s crew. But this year is different. This year, Kirk is a year older than his father had the chance to be. Now that he’s outlived his father’s example, he has to face up to the fact that he has no idea who he is or who he wants to be, and he’s got no one but himself to look to for those answers. And it’s scaring the shit out of him.

My mom died when I was 11 years old, a few weeks shy of her 41st birthday. In 2019, I turned 41. I was a little heavier with more white hair and more stress than the year before. I still had a loving partner. Friends. Cats. A job. Side gigs with looming deadlines. Notebooks mocking me with half-finished essays and partially sketched story ideas. Plenty of plans and intentions to keep pushing myself forward. The world was on fire but it was still spinning.

I was still alive. And it scared the shit out of me.

What do you do when you’ve spent your life following an internal map based on an idealized memory of a lost parent, only to reach the edge of that map with decades still left (you hope) and nothing but endless possibility stretching out before you? Where do you even start to redefine the borders of yourself? What do you reach for to anchor you before you leap into the unknown?

 

“It is not uncommon, you know, even for a captain, to want to leave. There’s no relative direction in the vastness of space, there’s only yourself, your ship, your crew…it’s easy to get lost.”

—Commodore Paris to Kirk, Star Trek: Beyond

 

I’ve spent a lot of time wondering what my mom’s life would have looked like after 41. It’s like looking through a Viewfinder with scratched lenses—you can see blurred outlines and vague shapes, but no matter how hard you strain your eyes, the details remain just out of reach.

There is no question, when I look at pictures of my mom as a kid, as a teen, as a woman in her 20s with her whole life ahead of her, that I am her child. You could trace the contours of our faces and—but for my slightly wider nose and her slightly higher cheeks—follow the same pathways.

I know a little about who my mom was, although a lot less than I’d like. She was the youngest of three children, the only girl, and apparently the most stubborn of the three (and having met my uncles, that’s saying something). She immigrated to Chicago when she was in her mid-20s and met my tatay, 20 years her senior, after taking piano lessons from his sister (it wasn’t until after my mom died that I learned that she had already been married once. And when my parents met, my tatay was already married and seeing at least one other woman; within a few years of that meeting, my mom became his new wife).

She had been diagnosed with MS when I was a toddler, and by the time her compromised immune system lost to a second round of pneumonia, she had been bed-ridden for four years. She taught me how to read, play the piano, bake brownies, to know when tomatoes and strawberries were ripe enough to harvest, to fill out a check and balance her checkbook. I knew she couldn’t stand disorganized, inefficiently used spaces and that it hurt her pride to open a can of Spaghetti-os when she was increasingly too tired and in too much pain to make us a meal from scratch. She was driven, hated asking for help (and consequently taught herself a lot of skills), and had no patience for bullshit.

It’s no mystery where I got a lot of my personality traits. I do have to wonder how many of those traits are actually mine, and how many of them are traits I adopted because I wanted to be like her. How much of me comes from wanting to live a life that she never could? Who would I be if I hadn’t kept my mother foremost in my mind? Who will I be when I’m no longer looking at her for guidance?

I sympathize with Kirk when he submits his request for a promotion that will mean leaving the captain’s chair behind, resigned but making the choice he thinks his father would have made in Kirk’s place, if he’d lived. There’s a kind of predictable safety in the path you think your parent would have trod if they’d had the chance. Figuring out a direction with a compass of your own making holds its own unique terrors, and there’s no one but yourself to blame for your choices and failures.

 

“As for me, things have begun to feel a little episodic. The farther out we go, the more I find myself wondering what it is we’re trying to accomplish. If the universe is truly endless, then are we not striving for something forever out of reach?”

—Kirk, Captain’s Log, Star Trek: Beyond

 

I didn’t expect Beyond to be a rumination on the nature of independence and exploration, how easily one can lose themselves in the vastness of the unknown without a map to guide you or an anchor to remind you of who you are. For all that Star Trek posits that exploration is endlessly exciting, the truth is that sometimes facing the unknown can be a burden. Especially when you don’t have a firm grasp on what you want and what you hope to find, and you don’t know when, if ever, you’ll reach your destination.

It’s easy to fall into a pattern of striving for the next thing: graduate high school. Get a degree. Get more than one degree. Get a job. Get a promotion. Find a passion. Find a partner. Build your community. Get recognition for your work. Leave a legacy. Rinse and repeat. I keep doing these things because I think they’re what she wanted for me, for herself, for both of us. I keep striving and pushing because she’s not here to do that for me. She’s not here to do that with me. And the farther and harder I go, the more I question if this is actually what I want for myself, and if it is, why do I want this, if not for her sake?

Whose legacy am I trying to build? Hers? Or mine?

And if I stop, I have nothing to keep me from missing her. For all the possibilities open to me, there’s not a single path I can forge where I’ll find her at the end.

 

“We change. We have to. Or we spend the rest of our lives fighting the same battles.”

—Kirk, Star Trek: Beyond

 

From the very first moment we meet him in the rebooted Trek universe, Kirk is a human wrecking ball, nearly careening off a cliff along with the car he’s stolen. It’s clear he’s running away from his father’s legacy: mocking Starfleet, resentful of his father’s heroic status, getting into bar brawls for no reason, blowing shit up. Later, he shifts gears to run toward that legacy, throwing himself into Starfleet, building his own reputation as a hero, getting into intergalactic world-threatening brawls…and blowing shit up.

But he’s still running. No matter what direction he chooses, Kirk chases his father’s ghost and unfulfilled legacy into danger and darkness and the unknown, right up the edge of death.

It’s the only way he knows how to grieve.

Unlike Kirk, I didn’t run, I worked. At everything: being the Good Daughter, the Perfect Student, the Self-Sufficient Woman, the Dependable Employee, the Supportive Friend/Spouse. I didn’t rebel, I was responsible, picking up project after project, looking for holes I could fix, needs I could meet, anything to occupy the space where mounting decades of grief would rush in if I dropped out of warp speed for even a moment.

But I am not the Starship Enterprise and I can’t keep up warp speed forever. Eventually I will falter. And the thing about grief is that it always catches up with you. But what if instead, I change course to navigate a future where grief is part of the landscape that I will pass through—occasionally unpredictable and not without turbulence or pain, but still on my own terms?

In the end, Kirk turns down his promotion to remain a captain, saying “Where’s the fun in that?” It would be easy enough to write this off as Kirk being Kirk, still the playboy, still more interested in adventure than responsibility. But this is a more grounded Kirk embracing who he is, that he doesn’t have to follow the path he thinks his dad would have followed—the academy, rising up the ranks to a captain’s chair and beyond. His choice to head back into unexplored space, to remain in the captain’s chair, is now a choice he’s making as his own self—not as his father’s reflection, not out of obligation to live the life his father never got a chance to.

Kirk isn’t trying to escape his grief in the unknown.

To boldly go where I’ve not gone before, I suppose wanting to follow Kirk’s example for a change isn’t a bad place to start.

So You Want to Be a Honeypot

(Content note: sexual assault.)

 

When she was a girl, Vasilisa wanted to be a sniper. She’d grown up listening to tales of the valiant Stalingrad sharpshooters who had bolstered the city’s resistance to the German invasion in the Second World War. She enlisted in the army as soon as she was old enough, and trained hard with her rifle, but when she applied for specialty training, that career track was closed. Instead, she was recruited for a new program.

Vasilisa learned seduction from a lithe Uzbek of slippery gender, who taught classes in three cramped trailers along the shores of the Caspian Sea. The trailers were welded into a row and doorways had been sliced though the metal sides, allowing the instructor to stalk back and forth between the three sex stations like a parade marshal.

If she could learn to be alluring under those conditions, she could seduce anyone, anywhere.

“Desire. You will use it like a weapon,” her instructor said.

“Yes, comrade instructor,” Vasilisa answered in concert with her classmates.

Vasilisa buried herself in her studies. Explored her five classmates’ orifices with eyes, fingers, tongue. Learned what made them keen with pleasure, sob, weep. And she lusted after her instructor. They all did.

“You will embody desire. Use it. Wield it. Exude it from every hole. But you will never feel it.”

“No, comrade instructor.”

“The hand goes like this,” the instructor said, with a sly glance. They held their fist high, closed into a cone, index finger knuckle protruding like a mountain’s apex. “The knuckle is key. When you are inside, rotate your hand by bending at the wrist until you find the spot that makes them scream.”

The lone man among them stared at his closed fist, puzzled.

“Not you, child. Your hands are too large.” The instructor lowered their plush, plummy lips to Axel’s knuckle and kissed the air above it. Vasilisa nearly swooned.

The instructor’s head snapped up.

“Desire controls others,” they said. “It will never control you.”

“Never, comrade instructor.”

That was the point of all their lessons: rejection of desire. Vasilisa and her classmates satiated their lust for their instructor by banging each other raw. By the end of the six months, all six had learned to master themselves. Desire was nothing. Control was everything. And love? Love didn’t exist.

Upon graduation, she changed her name to Claudia and forgot Vasilisa had ever existed.

Her classmates chose similarly seductive names—Valentina, Monique, Silke, Axel, Erika. Vasilisa would never know them the names their mothers had given them. The six of them were so intimate she could recognize each of them blindfolded, using just the tip of one finger. She’d made them shiver and shake, and had been shaken in her turn, but she didn’t know them—not really. And then they were parted, so she never would.

Claudia, the fresh new girl in Vasilisa’s head, sulked on the long, hot train to Sofia. The danger of the border crossing into Turkey couldn’t lift her mood, and by the time she boarded the passenger liner in Istanbul’s thronging port, she was truly melancholy.

“A beautiful girl like you shouldn’t look so sad.”

Claudia raised the wide brim of her hat. The man who spoke was Canadian, his military background obvious from his posture. Canadians were inconsequential, but still, she allowed him to amuse her on the three-day trip to Naples, let him try to lift the sadness from her eyes. Then on the last night of their trip, she fucked his wife three times, in the first officer’s empty cabin, deploying comrade instructor’s knuckle trick to thunderous effect.

When she stepped onto Italian soil at six in the morning, she set her small bag at her feet, lifted her fingers to her mouth and licked them, savoring the woman’s scent. It smelled like desire satiated. Like power. Like winning.

Come north, the breeze whispered. Everything you want is here.

A week of pasta put an exclamation point on Claudia’s décolletage. American men had simple tastes; Claudia’s breasts would attract them like bears—well, like bears to honey. She bought new clothes, semi-fashionable, from stalls in the back streets of the Vomero. And scent, mysterious iris and cedar. Then she caught a slow train north.

After the bustle of Naples, Stuttgart was grey, bleak, and joyless. The frigid winds of autumn came early; only a few leaves jittered on the boughs of the city’s tortured trees. Every third building lay in rubble, and bland civic buildings punctuated pitted thoroughfares colorless as a Moscow dawn.

Her first instinct was to stalk the city until she found an American with stars on his epaulettes, then drag him into an alley and leave him with his eyes rolling and his trousers around his ankles, but no, that would be a disaster. She restrained herself.

She found an attic apartment, a source for nylon stockings, and a job as a hostess at the Kiss Club. Slow nights, Monday to Wednesday to start.

Her first night at the Kiss Club, she saved a young American captain from falling downstairs. Just a discreet hand on his elbow. He didn’t even realize he’d stumbled, but he certainly noticed her touch.

“Who are you?” he asked.

“Just a girl from Obersdorf, come to make my way in the big city.” She used her most gentle seductive glance, but he didn’t even notice. He was too busy making a grab for her left ass cheek.

Claudia dodged his grip and let him go unmolested. She could have hauled him into an alcove and made him scream, but he had no stars on his shoulders, and her mission was too new to compromise on a whim.

The Kiss Club was Stuttgart’s most notorious gathering place, but Claudia soon learned it was staid as a neighborhood coffee house. The club’s steamy atmosphere, dark corners, and steady trickle of uninformed foreigners might overwhelm an innocent small-town girl. But Claudia had higher standards. She was a talented soldier with sharp eyes, keen reflexes, and a flexible mind. Those qualities made her an effective seductress, but she wasn’t patient.

Three weeks later, when her handler found her, she begged him to give her some work.

“I have skills. Talents. And I’m forgetting them all. Let me do an information drop. Equipment transfer. Anything.”

“Hush,” he commanded.

Her handler told her to call him grandpa, and he did look the part. A kindly little old man, squat and skinny, with short suspenders that held his baggy trousers up to his armpits.

“All you have to do is work, sleep, and watch for opportunities. Is that so hard?”

“No, Opa,” she said softly and dropped her eyes.

“Ah.” He pulled a flask from his breast pocket and unscrewed the cap. “Nerves. Liquor helps. Drink.”

Claudia let him think she was nervous, and that a sip of schnapps helped. She knew what happened to troublesome operatives. Managing her handler was just as important as managing her marks, and she would not fail at either. But still, she was uneasy. At night, the wind skittered over the attic’s roof. The loose terracotta tiles rattled like broken teeth.

North, it said. You miss them. Come north.

Claudia rose to the rank of senior Kiss Club hostess just in time for the club’s winter lull. Early snowfall muffled Stuttgart. The Americans stayed in their barracks, officers straying from their compounds only on Friday and Saturday nights, and then junior officers, only. Callow young men with little access to secrets, and useless to Claudia. The senior officers rarely left their compounds, and when they did, they brought their wives and children with them.

As the weeks piled up, the highest she got was a pathetically romantic signals officer from Texas, who would kiss but not fuck her.

“I’m waiting for my wedding night,” he drawled. “Just like Jesus did.”

“That’s lovely,” Claudia said, gazing up into his thick glasses.

He invited her to worship with him, and when she walked onto the base, Claudia grinned in triumph. Church was held in the concrete basement of the administration building. From there, all the base’s secrets would fall into her lap. Three Sundays later, she had the combinations to the general’s safe (his daughter’s birthdate), and had stolen a list of codes from a young airman’s pocket.

Opa pocketed the safe combination, but he wasn’t impressed with the codes.

“These aren’t encryption keys, they’re guitar chords.”

Claudia was embarrassed. “My mistake, Opa.”

“It doesn’t matter. Don’t risk yourself. Just marry him, and wait.”

Claudia hadn’t realized marriage was on the table. She swallowed carefully, mastering herself.

“But he’s only a captain.”

“He will rise.”

“That could take years.”

“It will take as long as it takes.” He offered her a sip from his flash. She pushed it away, but gently, like a good, obedient girl would.

The next day, she boarded a northbound train to Frankfurt and wandered through the city. She listened to the whisper in the air—north, north—and when it quieted, she found herself in a dirty, dangerous club—the kind of place the Kiss Club wanted to be—where shadowed pairs writhed on the dance floor, their movements bearing no relation to the discordant music served up by a quartet of blade-faced jazz musicians.

There, in the club’s north corner, she found three of her classmates. Claudia nearly launched herself into their laps.

“Is it what you thought it would be?” Silke asked.

“Not at all,” Claudia blurted. “It’s so boring.”

Axel laughed. “At least you’re in a city. Ramstein is this big.” He showed her the polished nail of his smallest finger.

“In Grafenwoehr, sheep block traffic daily,” Silke said.

“Did you think your life would be enjoyable?” Valentina’s voice carried over the din. Axel and Silke snapped to attention, automatically. “We are tools. We wield ourselves like weapons.”

“And how many Americans have succumbed to your weapon so far, Valentina?” Claudia asked.

Valentina pursed her lips. “I have one in my sights.”

“We were made for sex. Drugs. Parties. American decadence, not church and chastity,” Claudia said. “Opa wants me to marry my American. Can you believe it?”

“Obey him. What do you care?” Valentina snapped. “You have no needs or desires. None.”

Claudia nodded her head in time with the music, feigning agreement. Valentina would never understand the agony of a restless mind. In bed, Valentina was the softest, most scrumptious morsel, delicious from eyebrows to toes. Upright, she was a rigid pedant.

“Have you seen Monique and Erika?” Claudia squinted into the murky depths of the club, expecting the last two members of their cohort to appear.

Axel looked sad. “Not yet, but they’ll find us.”

Silke slid her long, delicate hand up Claudia’s inner thigh and nuzzled her ear.

“Perhaps if we make enough noise, they’ll hear,” she breathed.

One trip to Frankfurt every two weeks or so. That’s all Claudia allowed herself. It was so little. But still, Opa didn’t like it.

“Don’t give the American any reason to doubt you’re a good Christian.”

“No, Opa. I won’t.”

Claudia didn’t mind spending time with the signals officer. He was boring but not stupid; turned out the Jesus comment had been a joke. And she enjoyed the church services, which were heavy on music and light on preaching.

An energetic trio played the hymns—a Black master sergeant singing and playing guitar, with two stocky airmen on drums and double bass.  The church band made the hymns energetic, rakish, even wicked—the kind of music you could dance to, fuck to, turn into a religion and lose yourself in.

Could she do what Opa wanted? Marry the American, live on the base, cook his meals, have his babies? Occasionally root out small pieces of information that, if not useless, were likely redundant?

If so, at least she was guaranteed some up-tempo church music every Sunday.

Monique found them soon after New Year’s. Five of them together again, every two weeks at Frankfurt club. Only Erika was still missing.

“If all they wanted were good little American wives, they should have chosen people more suited to it,” Monique said. “It’s like hitching a racehorse to a plow.”

“Where would you rather be?” Valentina snapped. “Digging the Bratsk Reservoir? Guarding a Mongolian border crossing?”

“Hush, Valentina,” Silke said.

Valentina’s mouth snapped shut. Silke had landed a Major General, which gave her automatic status and authority. But Silke hated him.

“It’s like milking a cow. Thirty minutes of steady work, and when he falls asleep, I drink half a bottle of whiskey and masturbate on the sofa.” Silke’s eyes glittered. “I used to be a soldier.”

Valentina squared her delicate shoulders and drew in a deep breath, clearly gearing up to deliver some more well-used platitudes. Monique stopped her with an elbow to the ribs.

“Turn on the radio before you start,” she suggested gently. “You’ll have something to listen to.”

Claudia tipped the last drops of her beer onto the table’s filthy, pitted surface. She drew wet spirals with her finger.

“My American gives chaste little kisses and moons at me through his glasses. He’ll propose soon and then I’ll be stuck. I know I shouldn’t complain. I’m not soft—I can take almost anything, but it’s too dreary.”

“You could drink,” said Monique.

“If I get married, I might have to.”

“Pawn him off on a new girl,” Silke suggested. “A little frau to turn his head.”

“I’ve tried. He loves me. Who knows why? I’ve barely given him a reason.”

“Should I visit?” Axel slapped his chest. “Maybe he’d prefer some of this.”

Claudia grinned. “I’d like to see that.”

“When you are married, you’ll be content,” Valentina said. “Marriage is what women are for. It’s our duty.”

Axel sipped his beer contentedly. Of course he did. For him, it was self-evident that a woman wanted to be married. But Monique and Silke stared into the club’s shadows, frowning. Even Valentina looked unconvinced.

On Monday morning, she woke to find Opa perched on her one rickety chair.

“I have a problem,” he said, and dropped a train ticket on her table. “You wanted a job. Take care of it.”

It was a return trip to Hamburg.

“Does the problem have a name?” she asked.

“Erika,” he said. “Find her and kill her. If you do well, I may give you other jobs.”

Erika. She had the tiniest wrists Claudia had ever seen, easily circleable with her thumb and forefinger with room to spare. Her ankles were delicately boned, and her baby toe fit between Claudia’s lips like a nipple. When that toe was sucked, Erika seemed to float off the bed.

“Certainly,” Claudia said. “I’ll need a weapon.” With a rifle, even a rusted relic, it would be the work of a moment. Death at a distance—her childhood dream. Anonymous. Efficient. Final.

“You’re a smart girl.” He rose from the chair, so old and creaky his joints groaned. “Improvise.”

On the train north to Hamburg, Claudia had no questions, no doubts. She didn’t need a rifle to kill Erika. Any weapon would do. When the train pulled into Hamburg, she transferred a razor from her purse to her pocket, stepped out onto the platform, calmed her breathing, and listened.

Erika. With her little cleft chin and sensual gap between her front teeth. Breath that tasted of cinnamon and fresh snow, and nipples that turned tomato-red with arousal.

Nothing at first, no wind, just the chug and huff of trains. And then, gently: West.

West of central Hamburg lay the red light district of St. Pauli. It only took three hours to find Erika in a noisy club. The dim room had a low stage at the end, no bigger than a bed. Five skinny boys crowded on it, attacking their instruments with more passion than skill, their heads skimming the ceiling.

Erika bounced by the side of the stage, her back to the crowd, completely vulnerable. Claudia drifted through the room, let herself be gently pushed across by the ebb and flow of bodies until she was standing right behind Erika.

It would have been so quick, so easy to slice that razor through her classmate’s throat and disappear in the press and confusion. Instead, she put her arms around Erika and squeezed tight. Erika squealed, bounced against her, and covered her face with little kisses.

“I knew you were coming!” Erika shouted in Claudia’s ear to make herself heard over the din. “I’m so glad you’re here.”

“No, you’re not. They sent me to kill you.”

Erika grinned and turned back to the stage. Claudia pulled her close.

“Did you hear me? They want you dead. You have to run. Find a new life somewhere.”

“I can’t do that, kitten,” Erika yelled back.

Erika bounced in time to the music. It wasn’t good music—the church band was better—but the beat was insistent. Soon, Claudia was bouncing, too.

“They’ll send someone else,” she yelled.

“I know. They sent Silke last week. I don’t care. I’m staying here.”

When the song ended, Erika jumped and screamed. The band grinned in appreciation and swung into another song.

Hours later, in the dim light of morning, Claudia broke into the Hamburg morgue. She razored the littlest finger from the corpse of a young woman, wrapped the bloodless member in a handkerchief, and ran to catch a southbound train. In the train toilet, she polished and filed the fingernail. Would it satisfy Opa? Likely not, but it was the best she could do.

Silke turned up at Claudia’s apartment on Sunday morning, just as she was about to leave for church.

“I heard you killed Erika,” she whispered. “Is it true?”

“Yes, of course,” Claudia answered loudly.

Silke drooped. Claudia bundled her out the door, downstairs, and onto the streetcar. At the gate, she told the military policeman Silke was her sister. He signed them in with a smile.

“No, I didn’t,” she said when the first hymn was in full strain. “I told her to cut and dye her hair, gain some weight, try to be inconspicuous.”

“You’re smarter than me. I came back and told my opa I couldn’t do it,” Silke said. “I said if he wanted to find another girl to milk the Major General, he should just slit my throat right then.”

“Why would they send us to kill her?”

“It could be a message. Do your duty and don’t complain or…” Silke drew a manicured finger across her throat. Up in front, the drummer caught the movement and blinked at them, startled. Claudia threw him a sunny smile and patted Silke’s hand.

“Will your ruse work, do you think?” Silke asked before they parted at the railway station.

“I don’t know. I hope so,” she said. “But one thing’s for sure, I’m not bored anymore.”

The next time Claudia visited Frankfurt, Silke hauled Valentina off to the toilet, giving Claudia time to tell the other two about Erika.

“What if my opa sends me to Hamburg?” Axel asked. “What do I do?”

“Don’t kill her, that’s what.” Claudia rapped her knuckle on Axel’s sternum for emphasis. He batted her hand away.

“Stop. You just want to touch me.”

“Everyone does, dear.” Monique patted the boy’s beefy shoulder. “I wonder why she won’t leave. She could have a lover, I suppose.”

“Maybe you should go ask her.” Claudia meant it as a joke, but Monique’s eyes brightened with purpose.

“She’s obsessed with the music,” Monique said the next week, her breath hot in Claudia’s ear. “Did you notice?”

Claudia nodded. The Hamburg songs were similar enough to the church band for Claudia to see the appeal, with riffs, backbeats, and harmonies, sly bent pitches, noisy timbres, and sudden clear tones that echoed in Claudia’s skull from Sunday to Sunday.

“Is she being sensible?” Claudia asked.

“She did what you said. Cropped her hair and bleached it blonde. But she’s noticeable. The short hair makes her eyes this big.” Monique circled her thumbs and forefingers and raised them to her eyes like goggles.

“Let’s hope nobody looks for her.”

That hope lasted only until midnight, when Claudia spotted the corner of a train ticket peeking from between the lips of Valentina’s velvet clutch.

“Angel, darling,” Claudia purred. “Why are you sitting so far away?” She slid her knee between Valentina’s thighs and moved in close, gently forcing her classmate against the padded seat. After a moment of resistance, Valentina melted into her arms. She lowered her lips to the silken skin under Valentina’s ear, reached behind, and slid the clutch over to Monique.

Twenty minutes later, when Valentina reached for it, her clutch was right at hand. She clicked it open, retrieved her powder and lipstick, and discreetly repaired her smeared complexion.

At the end of the night, Claudia, Silke, and Monique were far back in the coat-check queue. Axel had escorted Valentina to the front of the line, like the gallant boy he was.

“It’s what you thought,” Monique said later. “Return to Hamburg.”

“Oh no,” Silke groaned. “Valentina will never let her get away.”

“It’s worse than that,” Monique whispered. “They’ve given her a pistol.”

Erika had been warned twice; she knew the risks. If she wouldn’t save herself, what could any of them do? The four of them agreed to go home, not interfere, let Valentina complete her mission. In the dark of early morning, they kissed and hugged and pretended to go their separate ways, but they all got on the north-bound train anyway. Valentina in first-class, the others squished into the third-class car.

Claudia slid into the seat beside Silke.

“We are ridiculous,” she said.

Silke shrugged.

“We have the advantage. We know where she’s going. Perhaps we can help.”

“Help do what? Save Erika, or kill her?”

“Save them both. If Valentina goes through with this, she’ll never forgive herself.”

Claudia shook her head grimly.

“It’s true,” Silke insisted. “I know her true nature.”

“That’s pure romance.” Claudia took Silke’s hand between both of hers. “You can never know what’s in a person’s heart.”

“When a person is at their most unguarded, their most passionate, that’s who they really are. I’ve seen that side of Valentina a hundred times. So have you. She’s a darling.”

Claudia grimaced. “No, she’s a rigid survivor with a pistol in her purse.”

In Hamburg, they scrounged disguises from the station’s lost items kiosk—hats, scarves, a widow’s veil for Silke, a knit cap with ear flaps for Axel. Claudia tugged it over his hair  and pulled the narrow brim down to his eyebrows. He stuffed his hands into the pockets of his woolen coat and tried to look inconspicuous. It didn’t work.

“You’re too big to hide,” Monique said. “You’ll have to stay here.”

“I will not,” he said, stubborn as a child.

They followed Valentina at a discreet distance. Valentina gripped her clutch so tightly, she’d poked her fingers through the tips of her knit gloves.

“You see, she’s nervous,” Silke said. They were stopped at a busy street corner, cowering together against the frigid North Sea wind that scoured the intersection. “She won’t be able to do it.”

“If she doesn’t kill Erika, we’ll have to,” Claudia said.

The other three stared at her in horror. When the traffic cleared, Claudia led them across the street.

“Think about it. The opas don’t need us for this. Erika could have been dead weeks ago. They want to see where our training went wrong, and whether it can be put right. It’s an experiment. A test. Silke failed it. I failed it. How many more chances will they give us?”

They’d come to a four lane road thick with industrial traffic from the port. Valentina was far ahead, just a speck in the distance. Claudia stepped off the curb, raised her hands to stop the trucks, and then shooed her classmates across the road.

“If we want to live, we have to kill Erika,” she said when they had all reached the sidewalk safely.

“No,” said Silke.

“No,” said Axel.

“Absolutely not,” said Monique.

“Then we have to let Valentina kill her.” That didn’t fly with her classmates either. “Do you have a better suggestion?”

“We could go home and kill our opas,” Silke said. “It would be easy.”

“I’m not killing anyone,” Monique said. “I was made for love, not murder.”

Axel nodded. “Me too.”

“It wouldn’t work, anyway,” Claudia said. “There’s always more opas.”

If Opa had given her had a rifle, Claudia would have killed Erika the first time. Death at a distance, like a Stalingrad sniper. Her failure to complete the mission was Opa’s fault. If he hadn’t played games with her, this all could have been over weeks ago.

A pistol. That’s what Claudia needed. She’d leave the others to distract Valentina, sneak into the club and kill Erika. It was the only option. But first, she’d have to find one.

It was possible. Hamburg’s red light district was notorious. She could find a pistol tucked into the belt of a pimp or loan shark, or even just a scared country boy come into the big city for a night on the town, bringing his daddy’s Luger along for protection.

As they entered St. Pauli, Claudia began assessing the men they passed, guessing which ones might be carrying weapons, and trying to spot any tell-tale lumps under their coats.

When they got to the club, a bass riff leaked from the door, punctuated by the rhythmic thump of a low-pitched drum. Valentina slipped inside and the other three followed close behind. Claudia paused for a moment, looking around, trying to make her best guess at a likely mark. She chose a short, thin man. He wore a thickly padded jacket and looked like the kind who would need a pistol for confidence. She glided past him and pretended to catch her heel. When he reached to catch her, she slid her fingers along his belt. Nothing. He scowled and pushed her away, then checked for his wallet. She gave him an innocent smile.

Her clumsy attempt didn’t dishearten her. Inside would be better, where every sense was deadened by the press of bodies jouncing to the beat.

Silke, Axel, and Monique had intercepted Valentina and hauled her off into a corner of the foyer. Inside Valentina’s purse, clutched in her arms, was the one weapon Claudia could locate with certainty. She could join them, take the clutch from Valentina. If she moved fast, they might not even have a chance to stop her. But she didn’t even know if Erika was in the club. So instead of joining her friends, she made her way to the bar and positioned herself at the end, where she could survey the people jostling for drinks.

When a thick-necked man waved to get the bartender’s attention, Claudia caught a glint of metal under his jacket, and the leather strap of a shoulder holster against his white shirt. The bartender passed him a foaming pint. He drained half of it in two gulps, then held the glass high as he moved through the press toward the stage. Claudia followed.

If she could be slick enough, quick enough, he wouldn’t know who had taken his pistol. He would make a scene but that was fine—she could use it for cover while she did her job, because there was Erika, at the side of the stage. Her bleached hair caught the light like a target.

One smooth movement, perfectly timed. She slid her hand inside the thick-necked man’s jacket just as a young woman swung her ample hips into his thigh. As he reached out to steady himself on the shoulder of a friend, Claudia palmed the pistol. Then she ducked low and moved through the crowd, deer-swift and graceful.

Claudia knelt under a table, checked the ammunition; thumbed the safety. The weapon was heavy, its grip cold on her palm. Seconds now, only seconds. If the thick-necked man was as competent as he looked, he’d soon notice soon the missing weight. She stood, raised the pistol, and framed Erika’s bright head in her deadly sights.

The music, the band, the crowd, the thick-necked man—they all disappeared. All that was left was Erika, the pistol, and her four dear friends arguing in the foyer. If she killed Erika, she’d be gone forever—and then she’d lose more. Silke, Monika, Axel, and even Valentina, gone from her life, leaving her with Opa and a future she couldn’t face.

She lowered the pistol and flipped the safety lever. She shouldered her way across the floor and dropped the weapon on the thick-necked man’s foot.

“Keep it,” she told him. And then she grabbed Monika’s elbow. She pulled her across the dance floor and out to the foyer, where the others were still huddled in a corner, arguing in whispers.

“Let’s go,” she told them. “We’ve delayed long enough.”

“Delayed?” Silke repeated.

“Delayed what?” Monique asked.

“Our lives.” Claudia grinned. “No opas. No Americans. Just the six of us, and the whole wide world. It’s all waiting.”

 

(Editors’ Note: “So You Want to Be a Honeypot” is read by Joy Piedmont on the Uncanny Magazine Podcast Episode 33A.)

“Betrayer Moon” and Disability in The Witcher

When I was 22, I wrote my first personal essay on disability and media.1 The Hunger Games film had just come out, and I crafted an essay on Katniss’s hearing loss in the book, a loss brought on in the Arena and subsequently fixed by the Gamemakers at the conclusion of the book. I delved into the sinister motivations behind their actions to heal Katniss, and I wrote the sentence, “I would not want that ‘cure.’”

Every time I think of that essay, I wonder if I wrote a lie. I have very little memory of my mindset eight years ago; I must take my words on the page at face value, but it is hard for me to recall ever having such uncomplicated feelings regarding my hearing loss. Did I believe what I wrote, or was I merely conscious of what I should want as a burgeoning disability activist, and simply overwrote my doubts?

I rarely write publicly about my internalized ableism, or at least, not in its full, unsanitized form. I am so careful, always, because to be disabled is to constantly fight against the narrative that we are incomplete, that we are lesser, that we need to be “fixed.” I wrote a graphic novel with a hard-of-hearing protagonist who is allowed to simply be, whose disability is not a source of angst in her story. It gave me great joy to make her hearing loss and hearing aids an asset to her work as a witch. I consider myself an advocate, and the most gratifying part of releasing Mooncakes has been listening to disabled children and adults tell me how much Nova Huang means to them. It is important to me that people see a proud disabled creator, and I do not want them to see my own struggles with internalized ableism, for fear it may only add to their own.

So I cannot talk about the voices that whisper to me constantly, the ones that still wish so badly to be rid of my disability. I have done so much work, had so many therapy sessions, attempted every type of catharsis I know, and still, I’ll admit it here: I wish I wasn’t hard of hearing. I would take that cure.

I hate it, and I fight against the voices, because I know why they are there. I know that it is because we live in a world that glorifies ability and will not give an inch of accommodation unless there is a fight. I know it’s because even the people closest to me sigh impatiently when I ask them to repeat themselves, and I get glares when I sit in accessible seating because I don’t “look disabled.” And it’s because we still have shows like The Witcher.

In promos, The Witcher appeared so far up my alley that Netflix might as well have personally wrapped it in a bow and card labeled “For Suzanne.” I watched the first episode not knowing what to expect beyond “Henry Cavill, fantasy, muscles, and girls with swords,” and I was not disappointed. The plot was confusing and nonsensical, and I did not care, because the first episode gifted us with gorgeous fight choreography, multiple warrior women, and a horse named Roach. Although it featured an unfortunate fridging situation, it lacked the sexual violence of so many other fantasy shows, and it featured multiple characters of color in both principal and background roles. Despite its structural issues, I developed huge crushes on Renfri, Calanthe, and Tissaia (for all their complexities and flaws), and watching Geralt and Jaskier the Bard left me cackling with glee. I hadn’t enjoyed myself like this while watching a fantasy show in a long time, if ever, and I was excited to continue with it.

At some point between watching the first and second episodes, I was alerted to a massively ableist plotline that peaks in episode three, “Betrayer Moon.” I explicitly spoiled myself, because I saw disabled mutuals on Twitter who’d been caught massively off-guard, and I wanted to be ready. I’m not sure if preparing for it helped.

The viewer meets Yennefer in the second episode, a young woman with a physical disability who is bullied and abused by local villagers and her own family. Born with a curved spine and partial facial paralysis, we first see her attempting to return a flower lost by her neighbors, who immediately attack and belittle her. When her magical abilities are revealed, she is taken to Aretuza, a school for girl mages. There she continues to be abused by her teacher, Tissaia, but by the conclusion of the episode, she begins to exert some control over her magic, and by extension, a sense of agency over her own life.

I’m often frustrated with disabled characters constantly being given superpowers or magic to make their disability matter less, but in this case I found myself not minding that Yennefer was a mage. Over the course of episodes two and three, several years pass, and she gains confidence in herself and her abilities despite the disdain others heap upon her. But the third episode quickly devolves into Yennefer’s focus on her “ascension,” the ritual through which she becomes a full sorceress. As part of the ascension process, an enchanter offers to alter her appearance. As she contemplates this, staring at her disabled body, Tissaia tells her to “free the victim in the mirror,” and my stomach clenched in dread, because I knew exactly what was coming.

The sequence in which Yennefer transforms is frankly nauseating in its implications. The show alternates between shots of Yennefer’s enchantment and Geralt of Rivia’s fight against a striga, a girl who has been cursed and turned into a monster. The fight is ugly and bloody, a mirror to Yennefer’s excruciating pain as her body is reshaped and molded. At the end, Yennefer has become a paragon of able-bodied beauty, while the striga has been turned back into a woman. The message could not be more clear: you are a monster, you are not human, unless you are what we consider to be “whole.”

I’ve already seen so many defenses of this plotline, and let me tell you, I do not care. I do not care if Yennefer, in the story, chose it. I know. I’d choose it too, because there has been so much pressure, all my life, for me to want that choice. When I was a child and cried about having to wear hearing aids, fearful of being teased, my mother’s response was to tell me she wished she could take my hearing loss away for me. Family members, authors, writers, showrunners, everyone in the world tells me that my body is not whole. That being unable to hear is something I have to fix, rather than anyone remotely trying to meet me at my level. And when these are the stories that continue to be told, rather than a story of a disabled mage making her way through the world, on her own terms, what else are we supposed to think?

What stings the most about this entire plot is that Yennefer is played by a mixed-race actress, in one of the rare cases where a woman of color plays a lead role in a fantasy show, unhampered by any of the white saviorism rampant in, e.g., Game of Thrones. Disability and race are intersections rarely explored in media, and POC disabled characters are even rarer. As a half-Lebanese disabled woman, I wanted so badly to find Yennefer empowering the way I have so many other white and WOC abled heroines. But every time I saw her on screen, all I could think of was how she’d gotten there and how much more meaningful she could have been, had the writers gone in a different direction.

There is so much missed opportunity in this character: she could have rejected the choice to change her body, and continued life as a disabled mage. Or, if the writers were set on her making that choice, she could have wrestled with regrets later in life, as she finds that being fully abled does not lead to the complete or satisfying life she hoped for. Instead, the writers tie all her regrets into her inability to have biological children (the ascension ritual involves a magical hysterectomy). She spends the next several episodes on a dogged quest to regain her fertility, an obsession that carries a whole set of exhausting, sexist implications separate from the ableism issue. It’s tiresome, it’s lazy, and it’s a jarring contrast from the rest of the show, which features some of the most nuanced, complex, realistic depictions of women and their relationships with each other that I’ve ever seen in fantasy TV.

It’s because of these relationships that I kept watching the show. The majority of the showrunners are women, and it has none of the sexual violence that permeates nearly every costume drama. Henry Cavill is a delight as Geralt, and Jaskier the Bard fills every one of my favorite tropes in fantasy media. The banquet episode is the most delighted I’ve been with a fantasy show in a long time. Between Geralt’s deadpan commentary, Jaskier’s snark, and Queen Calanthe in all her horrible, beer-and-battle-loving glory, it displayed everything I love about the fantasy genre and did it with female characters front and center alongside Geralt’s dour glare. Despite the ableism, despite the fertility plotline, despite the structural issues, it’s just plain fun.

It’s unfair that it’s so fun.

I’m tired of having to choose. I am half Arab, I am queer, I am disabled, and it’s not too much to ask for representation of the whole. I’m tired of seeing parts of myself in fiction while being told the other parts aren’t worthy. I’m tired of fighting against the voices that tell me my disability is an annoyance at best. I am tired of wanting a cure, when I know in my bones there is nothing to cure. I want to say I would not make Yennefer’s choice, and I want to be telling the truth.

I want narratives that help me realize that truth.

 

[1]“Disability, the Lure of Escapism, and Making the Invisible Visible,” by Suzanne Walker. Barriers and Belonging: Personal Narratives of Disability. Temple University Press (2017).

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