Uncanny Magazine Issue Three

Welcome to Uncanny Magazine Issue Three! All of the content will be available for purchase as an eBook (PDF, EPUB, MOBI) on March 3, 2015. The free online content will be released in 2 stages—half on March 3, and half on April 7.

Featuring all-new short fiction by Sofia Samatar, Rosamund Hodge, Kat Howard, Maria Dahvana Headley, Sarah Pinsker, Emily Devenport, and Fran Wilde, classic fiction by Ellen Klages, nonfiction by Ytasha L. Womack, Stephanie Zvan, Amal El–Mohtar, and L.M. Myles, poems by C.S.E. Cooney, Jennifer Crow, and M Sereno, interviews with Sofia Samatar, C.S.E. Cooney, and Ellen Klages, and Carrie Ann Baade’s Unspeakable #2 on the cover.

All that plus two podcasts!

Episode 3A: Editors’ Introduction, Kat Howard’s “Translatio Corporis” (read by Amal El–Mohtar), C.S.E. Cooney’s “Deep Bitch” (read by the author), an interview with Kat Howard conducted by Deborah Stanish, and an interview with Jim C. Hines conducted by Michi Trota.

Episode 3B: Editors’ Introduction, Sarah Pinsker’s “When the Circus Lights Down” (read by C.S.E. Cooney), M Sereno’s “The Eaters” (read by Amal El–Mohtar), and an interview with Sarah Pinsker conducted by Deborah Stanish.

About Our Cover Artist: Carrie Ann Baade

CABaadeheadshot 2012 one

Carrie Ann Baade is an internationally emerging artist whose surreal oil paintings are rich with allegorical meta–narratives inspired by spirit, literature, and art history. She has exhibited widely with the Pop Surrealists and her paintings have been featured in Metamorphosis, a survey of the top contemporary Visionary Surrealists including Ernst Fuchs, Alex Grey, Amanda Sage, and Kris Kuksi.

Baade was awarded the Florida Division of Cultural Affairs Individual Artist Fellowship in 2010, the Delaware Division of the Arts Fellowship for Established Artist in 2005, and was nominated for the prestigious United States Artist Fellowship in 2006 and the Joan Mitchell Grant in 2012. Her work has been exhibited in museums and galleries nationally and internationally, including recent solo exhibitions: the Museum of Contemporary Art in Jacksonville Florida, the Delaware Center for Contemporary Art, the Rosenfeld Gallery in Philadelphia, Billy Shire Fine Arts in Los Angeles, and the Ningbo Art Museum in China.

She received her Masters in Painting from the University of Delaware where she expanded her knowledge of materials and techniques under the guidance of their program Art Conservation. She received her B.F.A. from the School of the Art Institute of Chicago that included one year of study at the Florence Academy of Art in Italy. She currently lives and works in Tallahassee where she is an Associate Professor of Painting and Drawing at Florida State University.

Specialties: Materials and techniques of the old masters including egg tempera and indirect oil glazing.


In The Issue