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The Persecution of Witches

Tell me what ‘legitimate’ means—
how much proof do I need
to convince you
that blood is blood
and bruises are bruises?
Why is my voice a casualty
of violence you won’t examine?

Did I say no?
Was I drunk?
What was I wearing?
A better question:
why is my body
not my body?

Here is the old dilemma:
if you weigh me with stones
and I drown, I am not a witch—
but if I float, I am. Tell me:
how cold are the rivers
in Danvers, Ipswich, and Salem?
Somewhere, Bridget Bishop
is still wearing red, still making
people uncomfortable—
the wolves are always waiting
for the bones of the accused.

Here is the new dilemma:
Yes, I was drunk,
and no, I wasn’t asking for it—
now I am carrying
a mattress as my cross
for someone else’s sin,
and I have to ask permission
from a man to terminate
what’s mine—because he
gets to require consent
when I am not afforded
the same privilege.

‘Legitimate’ is a witch’s mark
for the new age, a snare
of blame defined
by the man who holds it,
and this is the burden
of being the victim:
alive until persuaded dead.
There are infinite ways
to drown, many without water.

(Editors’ Note: “The Persecution of Witches” is read by Erika Ensign in the Uncanny Magazine Podcast Episode 11B.)

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Ali Trotta

Ali Trotta is a poet, writer, editor, word-nerd, and unapologetic coffee addict. Her poetry has been published in Uncanny, The Magazine of Fantasy & Science Fiction, Asimov’s, Small Wonders, The Deadlands, Fireside, Strange Horizons, Cicada, Nightmare, Mermaids Monthly, The Best of Uncanny Magazine (Subterranean Press), and several of the Rhysling Anthology compilations. Seven of her poems were Rhysling Award nominees. When she’s not writing, she’s usually cooking, baking, hugging an animal, or pretending to be a mermaid. She has a rescue cat named Thor, who is part Maine Coon and part Gremlin. You can sign up for her newsletter (https://buttondown.email/alwayscoffee) or follow her on Bluesky @alwayscoffee or Instagram @alwayscoffee7.