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an alternate universe in which Yemọja is my mother

in the milky light of a foggy morning
                         i stand naked at your threshold/

a miniature boat clutched to my chest
yèyé/    there are white pigeons in our backyard again

this time they arrive in floating calabashes
                          clad in indigo/ white corns & kola

nuts hanging on their beaks          behind a silver
trapezoid/ an odídẹrẹ́ chirps the language of water

the fog clears slowly as you appear in your grace
             skin of coral/ your turquoise eyes sparkling

with love                          yèyé/ everything waters
into beauty at the mention of your name

because your smile blues into a mosaic of sapphire

because in your presence we are never parched

because the wave of your skirt morphs our fears
                                                             into sea-shells

because you adorn me with water-like necklaces

call me a god/ call me Àlàbí—a rare gem

dear mother/ dear Yemọja/ i bow down at your feet
            there is no religion here/ just a crystal love

the texture of God’s skin/
here i sit at your feet watching our world in techni–

colour/   your moon-white hand caressing
                                               my sea-green hair

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Sodïq Oyèkànmí

Sodïq Oyèkànmí

Sodïq Oyèkànmí (he/ him) is a 2022/23 Poetry Translation Centre (UK) UNDERTOW Fellow. He holds a B.A in Theatre Arts from the University of Ibadan. A Pushcart Prize nominee, his works have been published and are forthcoming in Passages North, Poetry Wales, Lucent Dreaming, Strange Horizons, Longleaf Review, LOLWE, The Orchards Poetry Journal, North Dakota Quarterly, and Gutter Magazine. He won the 2022 Lagos / London Poetry Competition. He tweets @sodiqoyekan